In Autumn Light

Vassilina Dikidjieva, Arlene Finger, Nancy Macina, Kristen Struebing-Beazley, Christopher T. Terry

October 14th - November 11th

Woman From Harar II, Vassilina Dikijieva, Oil on Linen, 20” x 16”, 2022

West Village , Nancy Macina, Oil on Canvas , 18” x 24”, 2022

Planter, Arlene Finger, Charcoal Pencil, White Chalk, 29.75” x 40.5”, 2018

Et Lux Perpetua, Kristen Struebing-Beazley, Polaroid Dye Transfer on Canvas Oval , 10” x 8”, 2001

Botanical Geometry, Christopher T. Terry, Oil on Panel, 12” x 12”, 2023

Opening Reception:  Thursday, October 14th 6 – 8pm

Closing Reception:  Saturday, November 1st 4 – 6pm

Chelsea, New York:  The Viridian Artists gallery is happy to present In Autumn Light an exhibition of five Viridian Artist Gallery Affiliate Members.  The show opens Tuesday, October 14th and runs through Saturday, November 1st with an opening reception Thursday, October 16th from 6 to 8pm.  A closing reception will be held at the gallery Saturday, November 1st between the hours of 4 and 6pm


Metropolitan XIII - Queen of Sheba, Vassilina Dikijieva, Oil on Linen , 24” x 18”, 2024

Vassilina Dikidjieva lived and worked for thirteen years in Ethiopia where she traveled throughout much of the country seeing monuments, ancient sites and big market places full of colors, arts, crafts and people.  It was these people Vassilina never grew tired of seeing, people from different walks of life that this body of work came to represent in five portraits of women and one composition in six parts that she sees as a song, or a love poem to this part of the world.


Go Fish #9, Arlene Finger, Pastel, Ink, White Chalk, 18” x 24”, 2025

Arlene Finger’s compositions reflect a representational mixed media with juxtaposed themes often in combinations of still life and landscape where line and color have great meaning.  Many times linked to what is simply outside the window or in a small room interior with the artist, Finger generates a primal feeling through an artist’s perspective from what is at hand that most would pass by.  It is a dynamic quality of, at times, simple shapes with a flowering aesthetic that touches the eye through a combination of charcoal pencil, ink, pastel and white chalk to create simple yet complex drawings.

Eternal City, Nancy Macina, Oil on Canvas, 18” x 24”, 2019

Staten Island, Nancy Macina, Oil on Canvas, 18” x 24”, 2024

Nancy Macina sees the world’s great cities in an ineffable beauty that humankind has created in the search for many of its truths.  Through this she tries to capture the genius-loci of a place by strolling the streets and seeing what in combination with what brings the essence, the unseen soul or spirit, so that more of these truths so sought after may surface.  Macina feels now, more than ever, we need to preserve the history of these places with ecological consciousness to further progress, as she evokes connection from image to viewer to another viewer through with what has been experienced by them in similar places.    


O Lost, and By the Wind Grieved, Ghost Come Back Again (Thomas Wolfe), Kristen Struebing-Beazley, Pinhole camera study of St. Louis Cemetery #3 Set in Moire Taffeta Surrounded with Embroidered Ribbon Quote, 24” x 20”, 2000

Kristen Struebing-Beazley’s Memento Mori, a blackened wall ensemble, exhibits the melancholic atmosphere of daily incremental loss of light in the autumn of our northern hemisphere.  The days (and years) dwindle down to a precious few . . .   Assembled with a combination of masks, photos, and plaques this stunning work leaves an impression of untold mystery on the viewer, who, without being able to grasp it with an actual hand, feels the ghost of what is so beautiful in what eludes, in what drifts away, in what is possible. 


 Still Life on a Black Console, Christopher T. Terry, Oil on Canvas , 24” x 32”, 2025

Christopher T. Terry presents six paintings that reflect his continuing interest in representation based on memory and invention as well as conventional direct observation.  In some of the work there leans an image very much taken from life but still contains aspects and information only imagined.  At other times a painting is almost completely based on remembered details of an interior space worked on several years before the painting was started.  The gaps in his memory, or invented details that do not completely mesh with reality help contribute a meditative dream-like quality to the work where the images fulfill a haunting beauty of light and warmth.

“Now and Then: From the Studio of Kathleen Shanahan”
September 6, 2025-January 11, 2026 in the Kurdian Gallery, Wichita Art Museum, 1400 Museum Blvd. in Wichita

Please click the image above to find out more about Kathleen Shanahan’s showing at the Wichita Art Museum

Sabine Carlson Exhibits in "Palimpsest" at the German-American Heritage Museum of the USA

Palimpsest
The German-American Heritage Museum of the USA
Opening Reception: Wednesday, October 15th, 2025

Viridian Artist Sabine Carlson will be featured in a new exhibition titled Palimpsest at the German-American Heritage Museum of the USA. There will be an opening reception the night of Wednesday, October 15, 2025. The exhibition will also feature artists Tinam Valk, and Jenny Kanzler.

More information about the museum exhibition can be found by clicking this link: Palimpsest at the German-American Heritage Museum of the USA or on the image below

Sabine Carlson “Watershed”, acrylic on gesso board, 16” x 20” x 1.5”, 2025

“じゆう~FREEDOM~“ New Art Prospects: Artists From Japan Series XII, 2025 Curated by Sai Morikawa

”Atelier II ”  Chieka Uruga, 130.3cm x 162cm , oil on canvas, 2025

"Passionate” Kazumi  Okamura, 78cm ×:59.5cm, Ink on paper

“Cloud III~ Leisurely “ K. Junko, 90cm x 68cm , Digital work on paper, 2025 

“Crossroads” Kozy, 39cm x 47cm, Ink, photography, mixed media on canvas, 2025 

= ARTISTS =

Chieka Uruga / K.Junko / Kazumi Okamura / Kozy / Ku Watanabe

Maiko Kanzaki / Mi2zuk / Miki Iwasa / Miwako K. / Monzo Watanabe

Morihiro Okamoto / O. Arata  / S.Mirai / Shingo Hayamizu

Shino~murasakino~ / Tomomi Kato / Tomoyo Kawasuji

Toshiaki Kitada / Yuki Hanaya / Yuko Sato

Chelsea, NYC: Viridian Artists is pleased to present “New Art Prospects: Artists from Japan Series XII 2025,“じゆうーFreedom” curated by Sai Morikawa. This exhibition will be on view from August 11 to August 23, 2025. An Opening Reception on Thursday August 14, 5:307:30pm.

“New Arts Prospect: Artists from Japan Series,” an ongoing art series that quietly forged acultural bridge between Japan and New York City—the global capital of contemporary art—hasentered its twelfth year. The initiative remains steadfast in amplifying the voices of Japanese artists seeking broader international visibility. Its 2025 theme, “Freedom,” is as much a meditation as it is a provocation.

Here, “freedom” is re-imagined not as a fixed ideal, but as a fluid, multifaceted concept—one encompassing creative agency, personal autonomy, and the fragile promise of possibility in an increasingly uncertain world. In a digital age defined by hyper-connectivity, the very tools that enable global discourse have also given rise to fragmentation, misinformation, and ideological isolation. Within this tension, art offers a critical space—one where freedom can be questioned, visualized, and redefined.

The exhibition returns to Viridian Artists Gallery, a site that has long served as more than a mere venue. This marks the seventh iteration of the Japanese artist showcase at the space. Established in the 1960s and run by a consortium of architects, designers, curators, and artists, the gallery has earned its reputation as a sanctuary for progressive thought and experimental practice. Its decades-long history of fostering ambitious and boundary-pushing talent continues to resonate within the wider art community.

In a post-pandemic landscape, the art world has been forced to adapt—and evolve. Virtual exhibitions have become a parallel stage, no longer supplemental but integral. This year’s presentation embraces that duality, combining in-person works with a 3D virtual experience designed to reach audiences both local and global. What results is a hybrid model that speaks to the fluid nature of engagement in our time. Set against a cultural backdrop marked by porous borders, shifting values, and contested meanings, the exhibition resists easy interpretation. It does more than display work—it introduces a conversation. Through distinct visual languages, participating Japanese artists compel viewers to reconsider what it means to be free, in forms that are as visually diverse as they are intellectually charged.

More than an exhibition, this event operates as a platform for international cultural dialogue. It charts the evolving trajectory of Japan’s contemporary art scene while offering space for new talent to emerge. In a city that thrives on the collision of perspectives, “Freedom” arrives not as a statement, but as an open-ended question—one that artists, and viewers, are asked to answer together.

A special thanks to Mr. Terence Accola for his outstanding work on the beautiful gallery display layout.

“Freedom” on Artsy

“Freedom” on Artspace