Director Emerita, Vernita Nemec, Makes an Appearance in the Debut Novel “Activities of Daily Living” by Lisa Hsiao Chen

We are thrilled to share that Viridian Artists’ Director Emerita, Vernita Nemec, is mentioned in the 2022 novel Activities of Daily Living by Lisa Hsiao Chen.

This acclaimed debut novel follows a Taiwanese immigrant living in New York who becomes the caretaker for her stepfather while researching the influential performance artist Tehching Hsieh. The book explores themes of art, caregiving, identity, and the passage of time.

Activities of Daily Living was a PEN/Hemingway Award finalist, recognized as a New York Times Book Review Editors’ Choice, and named one of Vogue’s Best Books of the Year.

Pick up a copy today and discover Vernita Nemec through the unique lens of Lisa Hsiao Chen’s writing.

HOLIDAY MADNESS

HOLIDAY MADNESS

December 16th, 2025 - January 3rd, 2026
Opening Reception: Thursday, December 18th, 6-8pm Closing Reception: Saturday, January 3rd, 6-8pm

Viridian Artists is pleased to present HOLIDAY MADNESS, Viridian’s 55th Holiday Invitational Exhibition. The exhibition will run from December 16, 2025, through January 3, 2026, with an Opening Reception on Thursday, December 18, from 6–8 pm, followed by the Closing Reception on Saturday, January 3, from 4–6 pm. 

This festive group show features over 50 small-scale works, each priced at $500 or less, offering an ideal opportunity to collect meaningful and accessible art. With prices set to inspire both collecting and gift-giving, each piece makes it easy to share the joy of creativity with your loved ones.

HOLIDAY MADNESS at Viridian celebrates and honors the extraordinary artistic spirit of these participating artists. The works on display are more than objects to acquire; they are intended to enrich lives by creating a personal connection with the viewer, allowing each piece to make a lasting impression and turning the gift of a work into a heartfelt experience. 

For many, 2025 has been a year of pivotal change, marked by beginnings, endings, and sudden shifts in fortune that required trust and faith that something wonderful could emerge. Amid the upheaval, mayhem, and “madness,” the one constant is our ability to draw upon creativity itself. The featured artists bring this truth to life through their work, providing an anchor between the seen and the unseen while offering visual narratives that connect with viewers today and point toward visions of tomorrow.

By gifting a work from HOLIDAY MADNESS, you are not only supporting artists in continuing to share their talents with the world but also opening a doorway to experience itself. As musician Brian Eno famously stated, “Stop thinking about artworks as objects and start thinking about them as triggers for experiences.”


View the Virtual Exhibition on Kunst Matrix

View HOLIDAY MADNESS on Artsy

In Autumn Light

Vassilina Dikidjieva, Arlene Finger, Nancy Macina, Kristen Struebing-Beazley, Christopher T. Terry

October 14th - November 11th

Woman From Harar II, Vassilina Dikijieva, Oil on Linen, 20” x 16”, 2022

West Village , Nancy Macina, Oil on Canvas , 18” x 24”, 2022

Planter, Arlene Finger, Charcoal Pencil, White Chalk, 29.75” x 40.5”, 2018

Et Lux Perpetua, Kristen Struebing-Beazley, Polaroid Dye Transfer on Canvas Oval , 10” x 8”, 2001

Botanical Geometry, Christopher T. Terry, Oil on Panel, 12” x 12”, 2023

Opening Reception:  Thursday, October 14th 6 – 8pm

Closing Reception:  Saturday, November 1st 4 – 6pm

Chelsea, New York:  The Viridian Artists gallery is happy to present In Autumn Light an exhibition of five Viridian Artist Gallery Affiliate Members.  The show opens Tuesday, October 14th and runs through Saturday, November 1st with an opening reception Thursday, October 16th from 6 to 8pm.  A closing reception will be held at the gallery Saturday, November 1st between the hours of 4 and 6pm


Metropolitan XIII - Queen of Sheba, Vassilina Dikijieva, Oil on Linen , 24” x 18”, 2024

Vassilina Dikidjieva lived and worked for thirteen years in Ethiopia where she traveled throughout much of the country seeing monuments, ancient sites and big market places full of colors, arts, crafts and people.  It was these people Vassilina never grew tired of seeing, people from different walks of life that this body of work came to represent in five portraits of women and one composition in six parts that she sees as a song, or a love poem to this part of the world.


Go Fish #9, Arlene Finger, Pastel, Ink, White Chalk, 18” x 24”, 2025

Arlene Finger’s compositions reflect a representational mixed media with juxtaposed themes often in combinations of still life and landscape where line and color have great meaning.  Many times linked to what is simply outside the window or in a small room interior with the artist, Finger generates a primal feeling through an artist’s perspective from what is at hand that most would pass by.  It is a dynamic quality of, at times, simple shapes with a flowering aesthetic that touches the eye through a combination of charcoal pencil, ink, pastel and white chalk to create simple yet complex drawings.

Eternal City, Nancy Macina, Oil on Canvas, 18” x 24”, 2019

Staten Island, Nancy Macina, Oil on Canvas, 18” x 24”, 2024

Nancy Macina sees the world’s great cities in an ineffable beauty that humankind has created in the search for many of its truths.  Through this she tries to capture the genius-loci of a place by strolling the streets and seeing what in combination with what brings the essence, the unseen soul or spirit, so that more of these truths so sought after may surface.  Macina feels now, more than ever, we need to preserve the history of these places with ecological consciousness to further progress, as she evokes connection from image to viewer to another viewer through with what has been experienced by them in similar places.    


O Lost, and By the Wind Grieved, Ghost Come Back Again (Thomas Wolfe), Kristen Struebing-Beazley, Pinhole camera study of St. Louis Cemetery #3 Set in Moire Taffeta Surrounded with Embroidered Ribbon Quote, 24” x 20”, 2000

Kristen Struebing-Beazley’s Memento Mori, a blackened wall ensemble, exhibits the melancholic atmosphere of daily incremental loss of light in the autumn of our northern hemisphere.  The days (and years) dwindle down to a precious few . . .   Assembled with a combination of masks, photos, and plaques this stunning work leaves an impression of untold mystery on the viewer, who, without being able to grasp it with an actual hand, feels the ghost of what is so beautiful in what eludes, in what drifts away, in what is possible. 


 Still Life on a Black Console, Christopher T. Terry, Oil on Canvas , 24” x 32”, 2025

Christopher T. Terry presents six paintings that reflect his continuing interest in representation based on memory and invention as well as conventional direct observation.  In some of the work there leans an image very much taken from life but still contains aspects and information only imagined.  At other times a painting is almost completely based on remembered details of an interior space worked on several years before the painting was started.  The gaps in his memory, or invented details that do not completely mesh with reality help contribute a meditative dream-like quality to the work where the images fulfill a haunting beauty of light and warmth.

“Now and Then: From the Studio of Kathleen Shanahan”
September 6, 2025-January 11, 2026 in the Kurdian Gallery, Wichita Art Museum, 1400 Museum Blvd. in Wichita

Please click the image above to find out more about Kathleen Shanahan’s showing at the Wichita Art Museum