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Viridian Artists

548 West 28th Street
New York, NY, 10001
212-414-4040
A Contemporary Art Gallery

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Viridian Artists

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Press Release: " HERSTORY: The Battle Continues"

February 11, 2025 Viridian Artists

FOR IMMEDIATE RELEASE PLEASE LIST                  

 

HISTORY
HERSTORY: The Battle Continues
February 25–March 22, 2025
Opening Reception: Thursday February 27, 6–8pm
Closing Reception & Poetry Reading Saturday, March 22, 4–6pm

Marie-Ange Hoda Ackad * Ayako Bando * Annaliese Bischoff * Jenny Belin *
Denita Benyshek * Reneé Borkow * Ellen Burnett * Zoe Brown-Weissmann *
Sabine Carlson * Marc Chicoine * Irene Christensen * Judith Christian *
Diane Churchill * Tonia Cowan * May DeViney * d’Ann de Simone *
Vassilina Dikidjieva * Victoria Engonopoulos * Steven Ferri * Beth Fidoten *
Jodie Fink * David Fitzgerald * Debra Friedkin * Alan Gaynor * Elizabeth Ginsberg * Joshua Greenberg * Halona Hilbertz Barbara Herzfeld * Miho Hiranouchi *
Lori Horowitz K. Junko Kozy * Bernice Sokol Kramer * AyAkA kyA *
Angela M. LaMonte * Rosemary K. Lyons * Kathy Levine * Gail Meyers * Rick Mullin * Vernita Nemec * Kazumi Okamura * Toki Ozaki
*Carol Paik * Petronia PaleyAlla Podolsky * Laura Rutherford Renner * Sai * Melissa Schainker *
Kathleen Shanahan Katherine Ellinger Smith * Dorothy Shaw * Meredeth Turshen * Ku Watanabe

  “For most of history, Anonymous was a woman.”   Virginia Woolf

Chelsea NY: Viridian Artists is pleased to present “HERSTORY,” an exhibition of outstanding art by all genders, celebrating women. The show extends from February 25–March 22, 2025, with an Opening Reception on Thursday February 25, 6–8pm and a Closing Reception and poetry reading on Saturday March 22, 4–6pm.

HERSTORY: an exhibit dedicated to the experience, viewpoint, and history of women. The word Herstory was born in 1962, but not until feminism gained ground in the 1970s was the word elevated into common usage in Robin Morgan’s book, Sisterhood is Powerful.  In 1987, March was designated Women’s History Month, but gender continues to be a bone of contention, as we are constantly reminded of the contest of power between entitlement and equality.

Simone de Beauvoir wrote The Second Sex in 1949, a response to women being considered less than men and in the 70s and 80s, Gloria Steinem became the voice of the feminist revolution. Others, like Jane Fonda, risked their careers by speaking out against the Vietnam War, and fighting for women’s rights, Native American causes, and climate action. Aretha Franklin, of powerful vocals and fearless activism, turned “Respect” into an anthem for women and civil rights. Shirley Chisholm was the first Black woman elected to Congress. Billie Jean King launched the Women’s Tennis Association, fought for equal pay, and paved the way for female athletes. Coretta Scott King fought for civil rights, LGBTQ+ rights, and peace. Katherine Graham took over The Washington Post after her husband’s suicide and led the charge on the Pentagon Papers and Watergate. Diana Ross, singer, was a trailblazer for Black women in entertainment. Betty Friedan wrote of The Feminine Mystique. Angela Davis, scholar, activist, and former Black Panther, fought against racial injustice, mass incarceration, and economic inequality. Nina Simone’s music tackled racism, injustice, and the struggles of Black Americans. Sally Ride was the first American woman in space. Dolores Huerta fought for farmworkers’ rights. More recently we have Hillary Clinton and Kamala Harris who both ran for president and nearly won. Also, we must not forget Supreme Court Justice Ruth Bader Ginsberg & Nancy Pelosi who was twice Speaker of the House of Representatives. There were so many other women too, whose names must not be forgotten.

And it was in 1848, at the Seneca Falls Convention led by Elizabeth Cady Stanton, that the Suffrage movement began, demanding legal and social rights for women, including the right to vote. She and Susan B. Anthony formed the National Women’s Suffrage Association, but by the late 19th century, they were already being faced with the opposition of churches, males, and businesses. In 1920, the 19th amendment finally granted women the right to vote and just last year, President Biden gave women equal rights by making the ERA the 28th amendment to the Constitution. The US finally joined the 85% of countries that include women’s equality in their constitution. Sadly, it will undoubtably be lost again as President Trump seeks to overturn many women’s and citizen’s rights. Some have already been lost. It is hard to reconcile the fact that in the U.S., the country considered so powerful, so democratic and so correct, 300,000 minors are married, most of them young girls married to older men.

The art in this exhibit explores a wide variety of questions, doubts, remembrances, hopes, fears, and fury that women continue to have. In too many ways, women are still struggling to combat the gender gap. Feminism entered its fourth wave in 2012, epitomized by the MeToo Movement and similar developments focusing on the empowerment of women. Since then, the dilemma of gender has become much more complex, as gender fluidity and change are more commonly embraced, and with targeted discrimination occurring in these increasingly discussed avenues of identity.

The artists in this exhibit use a variety of media, themes, and representations. Victoria Antonopoulos, Steven Ferri, Marc Chicoine, Alla Podolsky and Denita Benyshek focus on the strength of females, some realistically, others more abstractly. Elizabeth Ginsberg, Rosemary Lyons, Annaliese Bischoff and Vernita Nemec use words and symbols in their images to accentuate women’s reality. Vassilina Dikidjieva and Ellen Burnett present and honor female dilemmas. Halona Hilbertz, Renee Borkow, Bernice Sokol Kramer, May DeViney and Meredeth Turshen offer other images of women. David Fitzgerald and Jenny Belin focus on appearance as a female concern.  d’Ann de Simone, Gail Meyers, Zoe Brown Weissmann and Kathleen Shanahan present “women’s work” and Debra Friedkin, the reality of women’s lives. Rick Mullin, Alan Gaynor, Diane Churchill and Sabine Carlson offer remembrances of women of accomplishment, and so many other artists offer tributes to the female in us all.

In many ways we are still The Second Sex and battles remain to be fought: gender equality, pay equality, freedom of choice to name just a few. The equality of the sexes and the rights of women were being written about in the 18th century by men and women: Mary and John Adams, Mary Wollstonecraft, Judith Sargent Murray, and Daniel Defoe were just a few who wrote feminist literature, and in the 14th century Giovanni Boccaccio wrote De Claris Mulieribus (Latin for “Concerning Famous Women”) a collection of biographies of historical and mythological women.

In the art world too, female artists still struggle to gain recognition and value equal to that of male artists, as the Guerrilla Girls have so aptly demonstrated in their posters and actions, along with Barbara Kruger, Nancy Spero, Cindy Sherman, Frida Kahlo, Kara Walker, Faith Ringgold, and many others.

This year, in the 5th incarnation of this exhibit, we have invited artists of all genders to participate as allies demonstrating support through their art about gender inequity and the importance of parity in every way between the sexes.

We encourage everyone to recognize the importance of art and culture to reflect our memories of the past and our wishes for the future. Viridian invites you to view this exhibit of moving artwork, and to experience how artists view the experience and reality of women in the world today. Come see the art, and on the last day of the show, Saturday March 22nd, come hear some of the artists read their poetry addressing the issues of sexual equality and the freedom that women are still striving to express.

 

 “Women’s liberation is the liberation of the feminine in the man and the masculine in the woman.”   Corita Kent

 

Gallery hours: Tuesday – Saturday, 12–6pm
For further information please contact: Vernita Nemec, Gallery Director
or Jenny Belin, Assistant Director at viridianartistsinc@gmail.com

Wally Gilbert : Art Show in Somerville, Massachusetts: February 3 –April 30, 2025

February 5, 2025 Viridian Artists

Wally Gilbert
Five of the "Torn Building Tower" Series
72" x 10" Panels on Flush Mount Frames.; Digital Sublimation Print on Aluminum.

Congratulations to Wally Gilbert, who will be exhibiting his art work at the The Triangle Café in Somerville, Massachusetts, from
From February 3rd -April 30th, 2025

The Triangle Café is located at:
100 Chestnut Street
Somerville, MA 02143

Gallery Hours are:
8 am to 4 pm
Monday to Friday

Opening Reception
with the artist:

February 7, 4:30 to 8 pm

CLICK HERE FOR A VIRTUAL GALLERY OF THE WORK THAT WILL BE SHOWN

 

Wally Gilbert:
Five Large Images 
60" x 40" panels on Flush Mounts
Digital Sublimation Prints on Aluminum with a Satin finish

Kathleen Shanahan: Exhibition at The E.B. White Gallery in El Dorado, Kansas

January 21, 2025 Viridian Artists
 

Congratulations to Kathleen Shanahan who will be exhibiting work at the E.B. White Gallery in El Dorado, Kansas.

K A T H L E E N S H A N A H A N

Fast/Slow
Forward to Now:

 A Collection

 J A N U A R Y 2 7 – F E B R U A R Y 1 4

Reception/Gallery talk, February 6, 6–8 PM

E.B. White Gallery
Butler County Community College
901 S Haverhill Rd., El Dorado, KS

Gallery Hours: Mondays through Fridays: 10 AM–4 PM

Press Release: Anna Novakov: YUGOTOPIA

January 8, 2025 Viridian Artists
 

”YUGOTOPIA“

Anna Novakov

Wednesday, January 29 — Saturday, February 22, 2025

  Opening Reception: Saturday, February 1, 4–6pm


New York.
Yugotopia is an evolving series of multimedia projects by Anna Novakov (b. 1959, Belgrade, Serbia), who divides her time between New York, France, and Italy. Drawing from her childhood memories of life in Socialist Yugoslavia, Novakov uses this body of work to explore her complex identity as both Serbian and American. These dual identities, shaped by cultural and political upheaval, provide a rich terrain for her artistic investigations.

At the heart of Yugotopia is the concept of nostalgia, though Novakov's approach to it is neither sentimental nor straightforward. Rather, she critically engages with the layers of personal and collective memory tied to her Yugoslavian heritage. Her works often invite viewers to reflect on the ways in which memory and longing shape one's understanding of identity, especially in the context of displacement and migration.

The installations in Yugotopia are flexible and adaptable, capable of being re-imagined depending on the venue's physical or technical constraints. These site-specific interventions allow each iteration of Yugotopia to respond to its surroundings, creating immersive experiences that vary in scale and materiality.

The series has been exhibited in several prestigious venues, including ZK/U (Zentrum für Kunst und Urbanistik) in Berlin, the Museum of Contemporary Art Salon in Belgrade, the Biennial Scent Fair in Los Angeles, Pleiades Gallery, New York, Museum of Contemporary Art, Westport, Palazzo Albrizzi-Capella, Venice and Viridian Artists, New York. These diverse locations highlight the universality of the themes explored in Yugotopia, which resonates across different cultural contexts. Whether through scent, sound, or physical objects, Novakov's work bridges her personal history with a broader dialogue about identity, memory, and the fluid nature of belonging.

CATALOGUE

About the artist

Anna Novakov is a multi-disciplinary artist, writer, designer, curator and educator. She was born in Belgrade (former Yugoslavia) in 1959 and was raised in Berkeley, California. Novakov is Professor of Art History, Theory and Practice (Emerita) at Saint Mary’s College of California as well as a former Professor of Art History, Theory and Criticism at the San Francisco Art Institute. Since moving back to New York in 2020, she has continued her teaching at Hofstra University and focused on her studio practice which consists of olfactory installations, wall works and textiles.

 The daughter of noted environmental physicist Tihomir Novakov, she was immersed in the Ecotopian dreams of air pollution control from an early age. She was raised in both the Socialist Utopia of post-war Yugoslavia and the free speech, counterculture movements of Berkeley, California. Both radical movements had profound influences on diaspora, migration and displacement – areas of study that would form the basis of Novakov’s creative practice. In 1992, after completing her doctorate at New York University, she came to prominence in Manhattan as one of the first art critics to write about the interrelationship between art, emerging technology and Utopian spaces.

A prolific writer, she has published numerous books, magazine articles and exhibition catalogues including Veiled Histories: The Body, Place and Public Art (1996) and Carnal Pleasures: Desire, Contemporary Art and Public Space (1998), The Artistic Legacy of Le Corbusier’s machine à habiter (2008), Essays on Womens’ Artistic and Cultural Contributions 1919-1939: Expanded Social Roles for the New Woman following the First World War (2009), Phantom Architecture: Essays on Interwar Architecture in Belgrade (2011), Play of Lines: Anton Azbe’s Art Academy and Education of East European Female Painters (2011), : Talking Points: Conversations about Art, Gender and Public Space  (2012), Diplomatic Ties: Pavle Beljanski, Patronage and Serbian Women Artists (2012), Flat Horizon: The Art and Life of Milan Konjović (2014) and Imagined Utopias in the Built Environment: From London’s Vauxhall Garden to the Black Rock Desert (2017).

 Her creative practice focuses on the transitory modalities of the olfactory and textile arts. As an artist and certified perfumer, Novakov is able to unpack events through a multi-sensory artistic lens by examining seemingly inconsequential things. While her creative practice focuses on conceptual perfumery and textile design she is also invested in the role of scent in the construction of personal and collective memories, fragrance as an aspect of Utopian societies and diasporic cooking as a socio-political act.

“UNIQUE VISIONS” is featured in Meer Magazine

December 26, 2024 Viridian Artists

“UNIQUE VISIONS” is featured in Meer Magazine!

Click Here to View the Article.

Sabine Carlson's work is included in “A Sense of Place”: the 36th Annual Prince George’s County Juried Exhibition

December 18, 2024 Viridian Artists

Sabine Carlson
‘Cold world but for kindness’, 2024
Acrylic and collage on wood, 12” x 16” x 1.5”

Congratulations to Sabine Carlson!

Sabine’s painting is on view in  “A Sense of Place”, the 36th Annual Prince George’s County Juried Exhibition

This exhibition was jurored by Nehemiah Dixon III, Director of Community Engagement at the Phillips Collection, Washington, DC

The show continues through Jan 11, 2025 at:

Harmony Hall Arts Center
10701 Livingston Road
 Fort Washington, MD 20744

Here is a link to the Harmony Arts Website


Click here to view more information on Instagram

Press Release: "UNIQUE VISIONS"

December 17, 2024 Viridian Artists

FOR IMMEDIATE RELEASE                                                                    Please List

“UNIQUE VISIONS”

Viridian Affiliates

Tuesday, December 24 — Saturday, January 25, 2025
Opening Reception: Saturday, January 11, 4–6pm
Closing Reception Saturday, January 25 , 4–6pm

Deb Flagel * Dorothy Shaw * Jenny Belin

Joshua Greenberg * Michael Reck * Sarah Riley

Sheila Smith * Stephanie Lempres

 

Chelsea NY: Viridian Artists is pleased to present “Unique Visions,” an exhibition of outstanding art by artists who are part of the Viridian Artists’ Affiliate program. The show opens Tuesday, December 24 and continues through Saturday, January 25, 2025 with an Opening Reception on Saturday, January 11, 6–8pm and a Closing Reception on Saturday, January 25 from 4–6pm.

“Art is such a critical and unique aspect of human civilization that each artist has a desire and responsibility to present their ‘Unique Vision’ to the world at large” is something I’m sure has been said by many but interestingly, A.I. goes on to say: “An artist's unique vision is their own approach to art, which is different from other artists and allows them to create something extraordinary. Some say that artists have different brain structures than non-artists, which allows them to see the world differently and focus on the whole visual field. This can help them to see shadows and contours that others might miss.”

Each of the artists in “Unique Visions” create in their own way and with unique intentions, but in addition, each viewer undoubtably receives the art uniquely without knowing why or how the artist made it. Still, sometimes an artist’s verbalization about their work helps us understand or appreciate it more. Sometimes though, the intensity of the art experience can be changed by words that have been written about it, so read on…

In the sixties, Sheila Smith was exposed to and inspired by the great photographers of that era when she worked as a secretary to the creative director of Columbia Records. She went on to study advertising and design at SVA, ultimately becoming an Art Director. Working with top photographers, Smith went on to study photography at the New School while at the same time taking drawing and painting classes at the Art Students League. Painting for many years, she never abandoned photography and has continued to take photographs which have now become paintings as she alters and reconstructs them in photoshop. 

Dorothy Shaw’s paintings are both abstractions and pictorial representations of places that she feels reside in her “memory and imagination, driven by observations of nature and a love of landscape – revealed through the transformative slow process of painting.”

Michael Reck’s paintings in this exhibit are very different texturally from his earlier work, but one can still see shadows of his earlier imagery. The paintings have the same repeated forms creating a visual language in each work, but now they have become almost three dimensional. About the work he says: "I wanted these new paintings to seem like undecipherable missives in a lost, obscure or alien language."  

Jenny Belin is showing paintings of cats in gilded frames. The cat portraits come from the pages of a book that she is writing and illustrating titled “Sonnets for Sweet Potatoes: A Cat’s Guide to the ups and downs of NYC”. She began creating this project late last year as a compilation of painted and written portraits of the cats that she has known during her years in New York City.

Stephanie Lempres created “Winter Botanicals” as a series of images that explore the season’s minimalism. For her, they represent memories of childhood winters in Connecticut – grey afternoon light, frozen ponds and fading blue sky.  Each unique piece on handmade paper offers the viewer a unique connection to nature during the season of spare beauty.

Sarah Riley’s art involves intuitive reactions to her subject matter. Color flow, line, and brushwork leave traces of those first moments in the finished work. She is after the surprise of what color, form and line can physically and mentally become.

Deb Flagel finds beauty in natural decay and repurposing.  Drawn to abstract shapes, repetition, surface, she cuts, constructs, deconstructs, and layers until “I have an integrated surface, at which point I might choose to cut out areas of interest, scrap the rest for future projects and go from there.” Observing her surroundings, she seeks out bits of imperfection, like the Japanese Wabi Sabi and then her thought process immediately turns to stitching.  “Once back at my studio, I pull out papers of all sorts, including food packaging such as cracker boxes, printed photographs I have taken, bits and pieces from past work, while sometimes cutting up finished works as well.” Traveling between Chicago and New York, she carries a portable studio with her, always being connected to her art practice as she seeks out exhibition opportunities, while making Viridian Artists, NYC her artistic home. 

In The Colorful Whimsies, Joshua Greenberg uses photo-based imagery to create abstract art. In this series the works are dominated by large color fields showing abstract scenes in reds, yellows and blues. He wants the works to be light, humorous, surprising…and whimsical. To encourage viewers to interact with the art in a more focused and personal way, Greenberg uses his titles to give clues. Though photography has overcome the resistance it originally faced as “fine art”, in this series the artist illustrates how photo-based imagery may help extend the use of less explored dimensions of photography to create contemporary art. 

            We look forward to sharing these “Unique Visions” with you.

Jenny Belin: Solstice Literary Magazine Publication

December 12, 2024 Viridian Artists

Jenny Belin’s painted portraits and epistolary prose have been published in the Winter Issue of Solstice Literary Magazine.

Click Here to “Read Letters To Dead Feminists”

Alan Gaynor: Exhibition Review Published in the Winter 2024 issue of Gallery & Studio Magazine

November 14, 2024 Viridian Artists

A Review of Alan Gaynor's exhibition at Viridian Artists has been published in Gallery & Studio Magazine! Congratulations, Alan!

 

Press Release: "cOLD Times"

November 13, 2024 Viridian Artists


FOR IMMEDIATE RELEASE Please List

 

“cOLD Times”
Viridian Artists’ Annual Holiday Exhibition
Tuesday, November 26 – Saturday, December 21, 2024
Opening Reception: Saturday, December 7, 4–6pm
Closing Reception: Saturday, December 21, 4–6pm



Chelsea NY:
Viridian Artists is pleased to present “cOLD Times,” Viridian Artists’ Annual Holiday Exhibition of outstanding art by artists who are part of Viridian Artists and invited guest artists. The show opens Tuesday, November 26 and continues through Saturday, December 21, 2024 with an Opening Reception on Saturday, December 7, 4–6pm and a Closing Reception on Saturday, December 21, 4–6pm.

 This season, as our walls become filled and our pockets become leaner, the art in this exhibit is all priced at $500 or less and the size of each artwork no larger than 30 inches.

As the world becomes more and more technologically advanced, change has become nearly instantaneous and much of the cultures of the world and their traditions are changing so rapidly that we have lost a sense of many of our long-standing traditions. There is less talk about Santa coming down the chimney and more talk about the trees that are being salvaged for decoration at a time when all of nature is threatened. We must take the environment into consideration with every act, since global warming and climate destruction has become more real, more rapidly than we ever thought it would happen.

But within all the ceremonies lost, the memories remain and the giving of gifts remains an important part of the holiday season. We have so much and yet we want more and we want to express our caring by giving something special to those we are close to. We hope that giving art will become part of the solution and we look forward to seeing you as we celebrate an important tradition for all.

             

Marie–Ange Hoda Ackad * Steffani Bailey * Ayako Bando * Kristen Beazley * Jenny Belin Renée Borkow * Denita Benyshek * Annaliese Bischoff * Zoe Brown-Weissmann
Ellen Burnett * Sabine Carlson * Marc Chicoine * Irene Christensen * Judith Christian Matt Cohen * Sonia C. C. Colón * Sally J. K. Davies * May DeViney * Natalia Dovgaia Alexandra Downey * Stephanie Eins * Bernice Faegenburg * Arlene Finger
David Fitzgerald * Alan Gaynor * Wally Gilbert * Joshua Greenberg * Shingo Hayamizu Stalja Design * Miho Hiranouchi * Kazuo Ishikawa * Alex Katsenelinboigen * Kat King Kozy * Marco Lando * Angela M. LaMonte * John Lloyd * Beatriz Ledesma
Ellen Ludway * Stephanie Lempres * Grete Marstein * Gail Meyers * Rick Mullin
Mary Jane Murgolo * Fred P. Nelson * Vernita Nemec * Nancy Nicol * Shinichi Nomura Tom Papadopoulos * Brett Poza * Leonard Rosenfeld * Laura Rutherford Renner
Karen Roth * Sai * Melissa Schainker * Dorothy Shaw * Kathleen Shanahan * Susan SillsJ. Yvonne Skaggs * Zachary A.L. Stern * Meredeth Turshen * Jane Talcott * Bob Tomlinson


Gallery hours: Tuesday – Saturday, 12–6pm

For further information please contact: Vernita Nemec, Gallery Director

or Jenny Belin, Assistant Director at viridianartistsinc@gmail.com

visit us on Instagram @viridianartistsinc and see us on Facebook & YouTube at Viridian Artists Gallery

Kat King Will Be Showing Work at the SoNa Gallery in Chicago

November 12, 2024 Viridian Artists

Kat King will be showing work in the Lightness and Being exhibition at the SoNa Gallery in Chicago.

Click Here for More Information

Lightness and Being
Group Show
Nov. 8, 2024 - Jan. 11, 2025

Opening Reception, Fri., Nov 8 from 6 - 9 pm

SoNa Chicago Contemporary Art
1527 N. Ashland Ave.
(Wicker Park / Bucktown)
Chicago, IL

“Playful Deciduous Dragon” by Kat King

Sabine Carlson's is showing work in the Mid-Atlantic New Painting Biennial

November 5, 2024 Viridian Artists

‘witnesses’ by Sabine Carlson

Congratulations to Sabine Carlson who will be showing work in the Mid-Atlantic New Painting 2024 exhibition at the Ridderhof Martin and duPont Gallery at the University of Mary Washington!

Click Here for more information about the show!

Ridderhof Martin and duPont Gallery
University of Mary Washington
1301 College Ave, Fredericksburg, VA 22401

Nov 7, 2024 - Jan 19, 2025
Opening Reception: Nov 7, 5 - 7pm
Juror Talk with Heather Hakimzadeh, Senior Curator at Virginia Museum of Art,
Nov 21, 5pm at Seacobeck Hall 145

Press Release: Alan Gaynor: “The City”

October 22, 2024 Viridian Artists
 

FOR IMMEDIATE RELEASE                                                     Please List

 

ALAN GAYNOR

“THE CITY”

 October 29–November 23, 2024

Opening reception Thursday November 7, 6–8pm

Closing reception Saturday November 23, 4–6pm

 

Chelsea: Viridian Artists Inc. is pleased to present “The City” by photographer/architect Alan Gaynor. In this exhibit he presents arresting black and white views of New York City’s architectural patterns of concrete and steel. The show opens October 29 and continues through November 23, 2024. You are invited to meet the artist and celebrate the opening of this exhibit on Thursday, November 7, 6–8pm.

Alan Gaynor’s interest in photography arose from his interest and training in architecture and urbanism.  In 1974, he founded his architectural firm with a vision of a working environment free of convention. His interest in buildings continues, but now he explores architectural structures through the medium of photography. Like Johann Wolfgang von Goethe once famously stated, "I call architecture frozen music”; Gaynor feels the same. As in compositions in music, Goethe's analogy suggests that architectural structures possess a distinct rhythm, harmony, and melody, emphasizing the importance of aesthetics and artistic elements in architectural design. 

Gaynor is a photographer who translates his passions into images that convey the beauty of human-made structures, whether they are the concreteness at the heart of urban Manhattan or the mosaic artfulness of the mosques of Morocco. Creating his images of places in series, he previously has explored the subways of New York City, the ancient structures of India and the mosaics of Morocco.

On his website Gaynor states that he loves the mathematical basis of all architectural design. Gaynor’s photography of both contemporary structures and those of the past all convey a sense of the still majesty of buildings. That he rarely includes humans in his images (which might distract our attention) helps us to see more clearly what we do not see when walking the streets of Manhattan or Morocco. Often his focus has been on the layering of the buildings and in these images of New York, that focus continues.

Gaynor, whose work explores structures, lighting, and space, has become an award-winning photographer. He has studied with some of the acknowledged masters of the photographic medium including David Vestal, Jock Sturges, George Tice and John Sexton, and has received a host of awards for his photography including a Bronze Award in the 2012 International Loupe Awards, Terabella Media Urban Landscape, Epson International, Tank Photo Award and many others. His work has been featured in publications including Best of Photography 2012, The Photographer, and Photo Review to name just a few.

Gaynor has been exhibiting his photography since 2000 at many galleries, including FotoFusion, Black Box Gallery, Spectra '07, Saf-T-Gallery, Camera Obscura, Soho Photo. This will be his fourth solo exhibit at Viridian. We look forward to sharing with you these arresting black and white images of the beautiful shapes created by New York City architecture.

 

 

Gallery hours: Tuesday through Saturday 12–6pm

For further information please contact Vernita Nemec, Gallery Director at 212 414 4040 or viridianartistsinc@gmail.com
or view the gallery website: www.viridianartists.com or instagram @viridianartists

Laura Rutherford Renner is Showing Work at the AG Gallery in Lambertville, NJ

October 9, 2024 Viridian Artists

Not to Be Forgotten

An Exhibition of Work by
Laura Rutherford Renner and Alla Podolsky

At Artists’ Gallery

October 10, 2024 until November 3, 2024
Opening Reception: Sunday, October 13, 2–4 pm


Artists’ Gallery is located at:
18 Bridge St., Lambertville, NJ 08530

Click Here to Read More Information About this Exhibition

Steffani Bailey is Showing Two Works in "The Power of Abstraction"" SITE:BROOKLYN

October 2, 2024 Viridian Artists

Congratulations to Steffani Bailey who is showing two works at SITE BROOKLYN.
Steffani’s work is included in “The Power of Abstraction”:
an exhibition curated by Alexandra Terry.

Click Here to Read More about the Show

Press Release: Christopher T. Terry: “ALTARS AND OFFERINGS”

September 24, 2024 Viridian Artists

                                 

FOR IMMEDIATE RELEASE Please List

“ALTARS AND OFFERINGS”

CHRISTOPHER T. TERRY

October 1 – October 26, 2024

Opening Reception: Thursday October 3, 6–8pm
Closing Reception: Saturday, October 26, 4–6pm; Artist Interview @5pm

Chelsea NY: Viridian Artists is pleased to present Chris Terry’s “Altars and Offerings“, his first solo exhibition with Viridian Artists. On view from October 1 through October 26, the exhibition will feature a series of recent paintings. The opening reception will take place on Thursday, October 3, from 6–8pm with a closing reception occurring the last day of the exhibit on Saturday, October 26, 4–6pm.

Like many artists, Chris Terry’s influences and formative experiences are many, varied, and sometimes even contradictory. Perhaps the most profound influence comes from his growing up with a healthy dose of Roman Catholicism: parochial school, altar boy, and singing in the choir, and although the doctrines inherent in Catholicism stopped making sense, his fascination with the ritual continues. Perhaps it is nothing more than the human need for ritual and symbolic significance that we attach to certain objects, but Terry feels a personal need to create ritual in his own work. After making paintings not unlike those in this exhibit for more than 10 years, a viewer commented on the similarity to religious altars which they saw in his paintings. Though the similarity was not intentional on his part, it was clearly buried deep in his subconscious.

Working primarily in the still life tradition, the artist is fascinated with shape and the sense of invention when moving objects in the composition, overlapping and creating new shapes from the objects and the backgrounds in ways that cannot be easily done with landscape or figurative subject matter.

A third component of his creative practice is his interest in color. Terry has always been drawn to Bonnard, Diebenkorn, Klee, Matisse and many other artists who use color inventively. A chance meeting at California State University where he once taught, led to an invitation to teach as a Visiting Professor at Universität Essen in Germany. That experience deepened his interest in the Bauhaus and by extension, Albers. Over the years, he lived in Germany and traveled through Europe, spending 6 weeks in Rome at The American Academy in their “visiting artists” program.

Since that time he has taught at many colleges, though primarily at Utah State University where, in an extension of his teaching practice, he organized travel programs with students, enriching his own life experiences as well as those of his students. 

Now the focus is on his painting and the works in this exhibit attest to his ongoing creation of altars and offerings in quiet settings and simple compositions. We are most often looking at a table with one or more objects sitting quietly in a blue or golden toned light, the light perhaps colored by the wall behind and the tablecloths always freshly unfolded, creating shapes that add texture to the compositions. 

We look forward to sharing these “Altars and Offerings” with you in person and perhaps they will inspire your memories of formative moments in your own lives.

Gallery hours: Tuesday – Saturday, 12–6pm
For further information please contact: Vernita Nemec, Gallery Director
or Jenny Belin, Assistant Director at viridianartistsinc@gmail.com
visit us on Instagram @viridianartistsinc and see us on Facebook & YouTube at Viridian Artists Gallery

Wally Gilbert Will Be Showing His Art at Harvard: Thursday, the 26th, 10 am to 4 pm

September 24, 2024 Viridian Artists


"Red Diamond Peak": 36" x 24" Panel on a Flush Mount.
Digital Sublimation Print on Aluminum with a Satin Finish

Wally Gilbert Will Show 6 Pictures as part of the Art Tech Psyche Symposium at the Cabot Science Library The Science Center.

When: Thursday September 26th 10 to 4 pm

Where: One Oxford Street Cambridge, MA 02138

Click Here for A Description of the Event

Jenny Belin: New Exhibit of Cat Art in Brooklyn, New York

September 22, 2024 Viridian Artists

“Cats and Coconuts For The People”

at The Gowanus Wine Studio & Tasting Table
257 Third Avenue
Brooklyn, NY

September 16th–January 5, 2025
Opening Reception: Saturday, October 5th: 4–6PM

Paintings by Rick Mullin Will Be Exhibited at The Shanghai Jazz's Encore Speakeasy Lounge in Madison, New Jersey

September 17, 2024 Viridian Artists

Glade by the Tennis Courts, acrylic on canvas, 24 x 30"

Paintings by Rick Mullin Will Be Exhibited at

The Shanghai Jazz's Encore Speakeasy Lounge

October 1 – December 31

Opening Reception : Wednesday, October 9, from 6:00 pm to 9:00 pm

Mullin’s solo exhibition includes 30 paintings, music-themed, landscapes, portraits and still lifes.

Shanghai Jazz is located at 24 Main Street, Madison, New Jersey, around the corner from the Madison train station with service from Penn Station.

Click here to link to view the Shangjai Jazz Website

 

"Detritus Upcycled" is featured on DART: Design Arts Daily

September 11, 2024 Viridian Artists
 

Continuing: Detritus Upcycled at Viridian Artists

Detritus Upcycled features the work of artists who make exciting fine art from trash. The heart of this exhibit is the message of the three R's: Reduce/Reuse/Recycle and especially "upcycling”.  This exhibit reaches beyond the art world, serving as a message not only about art, but also about the environment. 

By seeing beauty in the discarded, these artists have been creatively addressing the problem of too much trash by using it to create fascinating and unique art before it was even known to be an environmental problem. Artists have been using found objects to make art for eons, but now it has become ostensibly a political act.

Continuing through September 28 at Viridian Artists, 348 West 28th Street, #623, New York, NY

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