Deb Flagel was born in Michigan and raised in Indiana. She graduated from Indiana University, Bloomington with an undergraduate degree in Art Education. After working several years in Washington DC, she returned to the Midwest to attend The School of the Art Institute of Chicago where she obtained her MFA in Visual Communication. Flagel has exhibited throughout the United States, having had studio practices in Illinois, Michigan and Wisconsin, and considers her art and sense of self to be closely linked to her Midwestern roots. Her work springs from traditional textile techniques honoring the reuse of materials through patching, repatching, and mending – she is particularly drawn to the Japanese practice of Boro and Sashiko.
In addition to being an exhibiting artist, Deb has worn several hats, including sole proprietor of a business specializing in architectural antiques and folk art; putting on a toolbelt and rehabbing four 100 yr old+ buildings, and serving as Executive Director at Woman Made Gallery, Chicago from 2016-2019. Deb currently splits her time working on creative projects in NYC and Chicago.
2025 Artist Statement
I’m primarily drawn to abstract shapes, repetition, surface — making connections in a Wabi-sabi way. I cut, construct, deconstruct, and layer until I have an integrated surface, at which point I might still choose to cut out areas of interest, scrap the rest for future projects and go from there.
I find beauty in natural decay and repurposing. Observing my surroundings while I walk, be it sidewalk markings or architectural patterns— I take it all in. Seeking out bits of imperfection, my thought process immediately turns to stitching. Once back at my studio, I pull out papers of all sorts, including food packaging such as cracker boxes, printed photographs I have taken, bits and pieces from past work, while sometimes cutting up finished works as well. Starting with a singular shape or color I’m drawn to at the time, I begin the process of connection through stitch, resulting in a type of story cloth: a weaving of thought.
As I expand on prior collage and assemblage work, I continue to explore the use of containers. Found in all aspects of our lives from bowls to brain -- we store. We feel the need to contain. We contain many things, including emotion. To hold space for grief and to hold space for creativity seem very similar to me. To dissect containers, whether it be literally, figuratively, or metaphorically defines importance in my own life. By tearing and cutting apart upcycled commercial packaging, symbols of weight measurement and cost — it raises my awareness about waste and sustainability and how my actions affect the environment. It’s a continuous dance with 3 partners ... Reduce, Reuse and Recycle.